瞬間轉移 Teleportation


by 賴朗騫  Lai Lon Hin


「我從2003年開始攝影,約九年後轉用手提電話拍攝,直至現在一直無間斷每天拍照並即時在社交網站發表。我拍攝這個相片系列的時候,都一律把鏡頭拉到很近,把畫面盡可能放大,因為這樣才可以更貼近我真正想要拍攝的人或事物,而不用走得太近打擾他們,也免得他們來找麻煩。」–– 賴朗騫

“I started photography in 2003, after nine years, I switched to mobile phone. Since then, I have been taking photos and publishing them on various social media every day. When I was taking the pictures in this series, I zoomed in very closely, so that the frame can be widened as much as possible, as this is the only way to get closer to what I really want to photograph, without disturbing the people and the objects, otherwise I'd be in troubles.” - Lai Lon Hin



關於作者:

賴朗騫,1982 年於香港出生。曾參與的展覽包括:巴黎東京宮的群展“Inside China [Journées Thématiques]”(2015)、香港文化博物館的“香港攝影系列展覽二:城市漫遊者————社會紀實攝影”(2010)及中國平遙國際攝影節(2008)。賴朗騫從2012年開始以手提電話拍攝作品,他透過放大圖像和構圖的過程,演練 著一種獨特的觀看方法,並由此發展出一套隨拍美學。這些平面化和低像素的影像,呈現了事物凝定的瞬間及其無意義的本質。他的作品被香港文化博物館收藏。他現於香港生活及工作。 

Lai Lon Hin, born in Hong Kong in 1982. Lai has participated in several group exhibitions, including “Inside China [Journées Thématiques]” (Palais de Tokyo, Paris, 2015); “Hong Kong Photography Series 2: City Flâneur - Social Documentary Photography” (Hong Kong Heritage Museum, 2010) and Pingyao International Photography Festival (China, 2008). Lai is best known for his snapshot aesthetics: using his phone as camera, he practises a mode of seeing through framing and zooming in, resulting in attened and pixelated images of transience and meaninglessness. His work is collected by Hong Kong Heritage Museum. Lai currently lives and works in Hong Kong. 


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編輯:Lai Lon Hin & Firenze Lai
製作:Firenze Lai
開本:12 x 18cm
頁數:500 pages
年份:2018
印刷地:香港

本書由藝術家自行出版,Blindspot Gallery 贊助。


$990
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