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筆跡 script/notes

筆跡 script/notes

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筆跡 script/notes
notes by Hong Shu-ying

《筆跡》聚集了我近二十年間拉琴時，在樂譜上所累積的筆記與痕跡。我從七歲開始學習二胡，在學琴的過程中，也潛移默化地承襲了新加坡華樂界的一些習俗與共同語言（華樂在台灣通常稱作國樂）。我一直對手抄簡譜情有獨鍾，也曾擔任五年的樂譜管理員。簡譜是如此通俗易懂，手寫的字跡又充滿溫度；無論是自己發明或向他人借用的各種符號、標記與書寫方式，都承載著各自的故事與典故。

以華族傳統樂器組成樂團的演奏形式，其實是近代音樂史發展的產物。因此，華樂中的「傳統」與「風俗」，更像是在書寫之中持續生成的活歷史；而簡譜作為記載這種音樂文化的助記裝置，也因此顯得格外有趣。這些看似不起眼的筆記，記錄著借鑑、變通、創新與分享的痕跡，而樂譜上層層累積的字跡，也象徵著一個群體為了建立共同語言所付出的努力，以及這份文化的延續與傳承。


筆跡 script/notes looks at 17 years worth of hand-copied and hand-annotated scores from artist, Hong Shu-ying’s collection. Through observing and re-presenting these markings, she considers the way language and customs are developed in social groups and how it borrows and evolves from existing and adjacent communities.

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Hong Shu-ying engages in process-led projects to clarify and negotiate how vocabularies and customs act as a shorthand for communities that she belongs to. She is fascinated by the creative potential of familiarity, both as a narrative tool and source of enquiry. Informed by her lived experiences and growing up in Singapore, she is a keen observer of the traces people leave on and for each other. 

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Size : 12 x 21 cm
Page : 120
Year : 2022
Publisher : THEBOOKSHOW

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